Blackmagic Design Pocket Cinema Camera 6K improves production value by upgrading to digital film. Professional features such as high dynamic range, great low light performance, and Blackmagic RAW allow you to create Hollywood style looks and ensure colors are precise. The Pocket Cinema Camera 6K is well-suited for feature films, TV programming, documentaries, YouTube content, and more.
With 13 stops of dynamic range, the Pocket Cinema Camera 6K preserves more detail in the lightest and darkest area of an image than traditional video cameras. Large 5” LCD makes perfect focus possible.
Blackmagic RAW captures and preserves sensor data quality for stunning images with incredible detail and accurate color at every stage of production. Dual gain ISO minimizes grain or noise in images while maintaining full dynamic range of the sensor. Adjust color temperature, contrast, tint, saturation, and settings for exposure and ISO.
Keep multiple camera shoots in perfect sync. Connect an external timecode generator into the 3.5mm audio jack and a built-in timecode generator detects the timecode and locks the internal generator.
Four built-in mics capture great sound anywhere due to their low noise floor and shock and wind resistant design. When you need more mics, connect professional mics via the mini XLR input with 48 volts of phantom power.
Lightweight camera is easy to handle and has a multifunction handgrip with controls naturally at your fingertips. The camera is powered by removable LP-E6 type batteries, and an included AC plug pack can power the camera while charging the battery.
Advanced OS allows camera features to run independently for smooth control. Adjust settings, add metadata, and view recording status via the touchscreen interface. You also have full control over on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.
The Azden PRO XR kit is a digital wireless mic system with signal redundancy and includes a 3.5mm male TRS to mini XLR-male cable. Data stream redundancy and frequency hopping helps avoid interference and dropouts for a system you can consistently trust. Professional-level lavalier microphone, receiver and transmitter are all included with the kit. Rechargeable lithium-ion batteries in the receiver and transmitter can run for up to 16 hours.
Use the kit for other mics and receivers with mini XLR audio inputs. With this kit you can adapt any unbalanced “dual-mono” mini-jack mic output to a balanced Mini XLR input. Compatible with all Azden single-channel wireless receivers. Several accessories are included for different mounting configurations.
Blackmagic Design Pocket Cinema Camera 6K & Azden PRO XR Bundle Features
- External antenna design optimizes performance
- Operating range up to 500’
- Six-step adjustable output gain
- 3.5mm TRS male to 3-pin mini-XLR male
- Adapts unbalanced mini-jack (3.5mm) audio output to balanced mini-XLR input
- Compatible with cameras with mini-XLR input
- Compatible with all Azden single-channel wireless receivers
- Not suitable for true stereo outputs with distinct left and right audio signals
- Camera Features
- 6144 x 3456 super 35 sensor
- EF lens mount lets you use larger EF photographic lenses
- Post production friendly file formats
- Blackmagic RAW
- Adjust color temperature, contrast, ISO, tint, saturation, and exposure
- LCD touchscreen
- Advanced OS with features from URSA Mini Pro
- 4 built-in microphones and professional audio inputs
- Load custom 3D LUTs to recreate film looks
- USB-C for recording directly to external media disks
- Shoot stills up to 21.2 megapixels per frame
- Wireless Bluetooth camera remote control
- Includes DaVinci Resolve Studio
- Pocket Cinema Camera 6K1
- Lavalier microphone1
- Transmitter1
- Receiver1
- Smartphone mount1
- Mini-tripod/mobile grip1
- Clamp-style phone mount with accessory shoe mount1
- Traditional TRRS adapter cable for smartphones and tablets1
- Lightning-to-headphone adapter for iOS mobile devices without a headphone jack1
- Camera Features
- Effective Sensor Size: 23.10mm x 12.99mm (Super 35)
- Lens Mount: Active EF mount
- Lens Control: Iris, focus and zoom on supported lenses
- Dynamic Range: 13 Stops
- Dual Native ISO: 400 and 3200
- Shooting Resolutions
- 6144 x 3456 (6K) up to 50 fps
- 6144 x 2560 (6K 2.4:1) up to 60 fps
- 5744 x 3024 (5.7K 17:9) up to 60 fps
- 4096 x 2160 (4K DCI) up to 60 fps
- 3840 x 2160 (Ultra HD) up to 60 fps
- 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
- 2868 x 1512 (2.8K 17:9) up to 120 fps
- 1920 x 1080 (HD) up to 120 fps
- Frame Rates: Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.
- Focus: Auto focus available using compatible lenses
- Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
- Screen Dimensions: 5” 1920 x 1080
- Screen Type: LCD capacitive touchscreen
- Metadata Support: Automatically populated lens data from electronic EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
- Controls: Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x IRIS Button, 1 x Focus Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.
- Connections
- Total Video Inputs: None
- Total Video Outputs: 1 x HDMI up to 1080p60
- Analog Audio Inputs: 1 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. Can also be used for Timecode input.
- Analog Audio Outputs: 1 x 3.5mm headphone jack.
- Computer Interface: USB Type-C for external drive recording, PTP camera control and software updates.
- Audio
- Microphone: Integrated stereo microphone
- Built in Speaker: 1 x mono speaker
- Standards
- SD Video Standards: None
- HD Video Standards: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60.
- Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
- 4K DCI Standards: 4KDCIp23.98, 4KDCIp24, 4KDCIp25, 4KDCIp29.97, 4KDCIp30, 4KDCIp50, 4KDCIp59.94, 4KDCIp60
- Media
- Media: 1 x CFast card slot, 1 x SD UHS‑II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.
- Media Format: Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems
- Supported Codecs
- Blackmagic RAW Constant Bitrate 3:1
- Blackmagic RAW Constant Bitrate 5:1
- Blackmagic RAW Constant Bitrate 8:1
- Blackmagic RAW Constant Bitrate 12:1
- Blackmagic RAW Constant Quality Q0
- Blackmagic RAW Constant Quality Q5
- ProRes 422 HQ QuickTime
- ProRes 422 QuickTime
- ProRes 422 LT QuickTime
- ProRes 422 Proxy QuickTime
- Control
- External Control: iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.
- Color CorrectorDaVinci YRGB
- Storage Features
- Storage Type
- 1 x CFast 2.0
- 1 x SD UHS-II card
- 1 x high speed USB-C expansion port for external media
- Recording Formats
- Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 4096 x 2160, 3728 x 3104 and 2868 x 1512 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
- ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.
- Storage Rates (based on 30 frames per second)
- 6144 x 3456 (6K)
- Blackmagic RAW 3:1 - 323 MB/s
- Blackmagic RAW 5:1 - 194 MB/s
- Blackmagic RAW 8:1 - 121 MB/s
- Blackmagic RAW 12:1 - 81 MB/s
- Blackmagic RAW Q0 - 242 to 483 MB/s
- Blackmagic RAW Q1 - 162 to 387 MB/s
- Blackmagic RAW Q3 - 108 to 277 MB/s
- Blackmagic RAW Q5 - 65 to 162 MB/s
- 6144 x 2560 (6K 2.4:1)
- Blackmagic RAW 3:1 - 240 MB/s
- Blackmagic RAW 5:1 - 144 MB/s
- Blackmagic RAW 8:1 - 90 MB/s
- Blackmagic RAW 12:1 - 60 MB/s
- Blackmagic RAW Q0 - 180 to 359 MB/s
- Blackmagic RAW Q1 - 120 to 287 MB/s
- Blackmagic RAW Q3 - 80 to 205 MB/s
- Blackmagic RAW Q5 - 49 to 120 MB/s
- 5744 x 3024 (5.7K 17:9)
- Blackmagic RAW 3:1 - 264 MB/s
- Blackmagic RAW 5:1 - 159 MB/s
- Blackmagic RAW 8:1 - 100 MB/s
- Blackmagic RAW 12:1 - 67 MB/s
- Blackmagic RAW Q0 - 198 to 396 MB/s
- Blackmagic RAW Q1 - 133 to 317 MB/s
- Blackmagic RAW Q3 - 89 to 227 MB/s
- Blackmagic RAW Q5 - 54 to 133 MB/s
- 4096 x 2160 (4K DCI)
- Blackmagic RAW 3:1 - 136 MB/s
- Blackmagic RAW 5:1 - 82 MB/s
- Blackmagic RAW 8:1 - 51 MB/s
- Blackmagic RAW 12:1 - 35 MB/s
- Blackmagic RAW Q0 - 102 to 203 MB/s
- Blackmagic RAW Q1 - 68 to 163 MB/s
- Blackmagic RAW Q3 - 46 to 116 MB/s
- Blackmagic RAW Q5 - 28 to 68 MB/s
- Apple ProRes 422 HQ - 117.88 MB/s
- Apple ProRes 422 - 78.63 MB/s
- Apple ProRes 422 LT - 54.63 MB/s
- Apple ProRes Proxy - 24.25 MB/s
- 3840 x 2160 (Ultra HD)
- Apple ProRes 422 HQ - 110 MB/s
- Apple ProRes 422 - 73.6 MB/s
- Apple ProRes 422 LT - 51 MB/s
- Apple ProRes Proxy - 22.4 MB/s
- 3728 x 3104 (3.7K 6:5 anamorphic)
- Blackmagic RAW 3:1 - 177 MB/s
- Blackmagic RAW 5:1 - 106 MB/s
- Blackmagic RAW 8:1 - 67 MB/s
- Blackmagic RAW 12:1 - 45 MB/s
- Blackmagic RAW Q0 - 133 to 265 MB/s
- Blackmagic RAW Q1 - 89 to 212 MB/s
- Blackmagic RAW Q3 - 60 to 152 MB/s
- Blackmagic RAW Q5 - 36 to 89 MB/s
- 2868 x 1512 (2.8K 17:9)
- Blackmagic RAW 3:1 - 67 MB/s
- Blackmagic RAW 5:1 - 41 MB/s
- Blackmagic RAW 8:1 - 26 MB/s
- Blackmagic RAW 12:1 - 17 MB/s
- Blackmagic RAW Q0 - 51 to 101 MB/s
- Blackmagic RAW Q1 - 34 to 81 MB/s
- Blackmagic RAW Q3 - 23 to 58 MB/s
- Blackmagic RAW Q5 - 14 to 34 MB/s
- 1920 x 1080
- Apple ProRes 422 HQ - 27.5 MB/s
- Apple ProRes 422 - 18.4 MB/s
- Apple ProRes 422 LT - 12.75 MB/s
- Apple ProRes Proxy - 5.6 MB/s
- Notes
- Constant Quality storage rates quoted are indicative only.
- Actual storage rates are entirely dependent on image subject matter.
- 6144 x 3456 (6K)
- Storage Type
- Software IncludedBlackmagic OS
- Operating Systems
- Mac 10.14 Mojave
- Mac 10.15 Catalina or later
- Windows 10
- Power Requirements
- Power Supply: 1 x External 12V power supply
- External Power Input: 1 x 2‑pin locking connector
- Battery Type: Canon LP-E6
- Battery Life: Approximately 45 minutes (recording 6K RAW at 24 fps to CFast 2.0 with screen brightness at 50%)
- Power: 12V-20V