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Atomos Sumo 19 HDR Production Monitor-Recorder-Switcher, 19"
[DISCONTINUED] Atomos Sumo 19 HDR Production Monitor/Recorder/Switcher

[DISCONTINUED] Atomos Sumo 19 HDR Production Monitor/Recorder/Switcher

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SoundPro Item: 102179
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  • Atomos Sumo 19 HDR Production Monitor-Recorder-Switcher, 19"
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Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.

HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.

Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.

Live switch four 1080p channels and record each as separate ISOs. Switch between feeds intuitively on-screen with hard cuts. Save space by replacing several boxes in your rack with a single Sumo19.

Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink & Dual link 12G SDI in almost any combination and eliminate the need for specialist converters.

Atomos Sumo 19 Features

  • Record ProRes RAW
  • HDR in the field and in the studio
  • 10-bit ProRes/DNxHR up to 4Kp60
  • Live quad channel HD switching and recording
  • Two stereo balanced XLR inputs with 48V
  • Quad SDI & HDMI 2.0 In/Out
  • Sumo uni1
  • Master Caddy II1
  • BattWing mounting bracket with 4x screws1
  • Desktop Feet with 4x 1/4” Mounting screws2
  • AC power supply1
  • One Year Standard Warranty, with option to extend to Three Year Warranty upon product registration1
  • Dimensions: (W x H x D)
    • Without Feet: 19.8 x 12.2 x 2.5 inches (504 x 310 x 63mm)
    • With Feet: 19.8 x 13 x 7.1 inches (504 x 330 x 180mm)
    • Weight: 12 lbs (5.45 kg)
    • Rack height: Optional 3rd party
    • Mount points: 1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
    • VESA mount: 100 x 100mm
    • Ambient operating temperature: Up to 40° C
  • Construction and Control
    • Body: Aluminium alloy chassis with ABS Polycarbonate back plate
    • Cooling: Actively controlled fan and Heat Sink
    • Tally light: Rear and front
    • Multi-function button: Power / lock Screen
  • Power
    • Input voltage: DC 12-16.8v, Battery 14.4V nominal
    • Operating power: 75W
    • Compatible batteries: V-Lock / Anton Bauer via XLR terminal, (optional mounting plates available) , 95Wh or larger recommended.
    • Battery Run time (Record): Battery dependent
    • Continuous power: Dual Battery input via dedicated 4 pin XLR
    • DC in connector: 4 pin XLR
  • Display
    • Touchscreen: SuperAtom IPS panel (capacitive touch)
    • Size: 19 inch
    • Resolution: 1920 x 1200
    • PPI: 120
    • Bit depth: 10Bit (8+2 FRC)
    • Backlight Type: Edge lit
    • Brightness (cdm2 / nits): 1200nit (+/- 10% @ center)
    • Aspect ratio: 16:9
    • De-interlace mode: Yes, Graphic burning protection
    • Color Gamut: Rec.709
    • Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
  • Color Pipeline
    • Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
    • Gamut: BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    • 3D LUT Display: .Cube Format
    • 3D LUT Down Stream: Loop out
    • 3DLUT 50/50: Yes
    • Monitoring Modes: Native / HLG / PQ / 3D LUT
    • HDR output Conversion: Log / HDR to HLG / PQ
  • Video Input
    • HDMI: 1 x HDMI (2.0) 4k p60
    • HDMI: RAW No - HDMI Video only
    • SDI: Quad link 3G SDI, with 2 x 6G SDI backwards compatible, auto detection
    • SDI RAW: Apple ProRes RAW up to 6k
    • Bit Depth: 8/10Bit Video / RAW up to 12Bit
    • Video Chroma: Subsampling 4:2:2
    • HDCP copy protection: Not supported
  • Metadata
    • HDMI: RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
    • SDI: File Name from Arri, RED
  • Video Output
    • HDMI: 1 x HDMI (2.0) 4k p60
    • SDI loop out: 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
    • SDI Play out: 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
    • Video Chroma Subsampling: 4:2:2
    • Bit Depth: 10Bit Video / 12Bit RAW
  • Web StreamingUSB UVC Optional via Connect 4k
  • Video Signal Conversion
    • HDMI to SDI: Yes - Video and RAW
    • SDI to HDMI: Yes - Video and RAW
  • Audio In/Out
    • Audio Quality: 24/48kHz
    • Audio Codec: PCM
    • HDMI: 8ch 24Bit, input dependent
    • SDI: 12ch 24Bit, input dependent
    • Analog Audio In: 2 x XLR
    • Analog Audio Out: 2 x XLR
    • Speakers: 2 x 5w
    • Headphone out: 3.5mm 2ch.
  • Timecode / Sync
    • Embedded: HDMI and SDI
    • Time of day: Yes, Time and Date
    • LTC via BNC input in Record mode
    • Genlock: GenLock in Playback mode
  • Resolution and Frame Rates (Record, Monitor & Playback)
    • 6k: RAW Only up to 30p via SDI Only
    • 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
    • 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
    • 2K DCI 2046 x 1080: 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p
    • FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
    • FHD 1920 x 1080 PsF: Converted to P and looped out PsF
    • FHD 1920 x 1080 Interlaced: 23.98/24/25/29.9/30/50/59.94/60i
    • 1280 x 720p 50/59.94/60p
  • Recording CODEC
    • CDNG: For SDI RAW inputs Only
    • Apple ProRes RAW: ProRes RAW, HQ
    • Apple ProRes: LT, 422, 422HQ
    • Avid DNxHD: 220x,220,145,36
    • Avid DNxHR: LB, SQ, HQ, HQX
  • Playback
    • Playlist: Yes, Create customer play lists from full or sub clips
    • Loop: Yes, with user customisable in / out markers
    • Apple ProRes Raw: Yes, recorded clips
    • Apple ProRes: Yes, with Linear PCM audio
    • Avid DNx: Yes, with Linear PCM audio
  • Recording functions
    • Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
    • ISO Record: Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
    • Switched: Program Record Yes Up to 1080p 60
  • Multi Input / Switching
    • SDI A/B toggle: Yes, Up support up to 12G SDI per input
    • Dual Input display: Via Multi ISO input mode
    • Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
    • Input transitions: Auto or manual XML transition
  • Supported media
    • Master Caddy I: Not compatible
    • SSDmini: Yes BUT ONLY with optional SSDmini handle
    • File Naming: Unit Name - Scene/Shot/Take, Arri & RED via SDI
    • File System: ExFAT
  • On Screen Tools
    • Waveform: Yes, 3 size / Position
    • RGB parade: Yes, 3 size / Position
    • Vector scope: Yes, 2 size / Position
    • 1 x Zoom: Yes. 1:1 Pixel mapping for 4k
    • 2 x Zoom: Yes
    • Focus peaking: Colour selected / threshold setting / colour/ Mono / edges only
    • False colour: Yes, with Scale
    • Zebra: Yes, Adjustable
    • Isolate color channel: Blue Only
    • Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
    • Safe areas: Action and Graphic
    • Anamorphic desqueeze: 1.25x, 1.33x, 1.5x ,1.8x, 2x
    • Display Flip: Vertical Only
  • Onboard Signal Processing
    • Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
    • 4K UHD Downscale for HD: Loop out - 4K UHD to FHD
    • DCI Crop: Loop out - 17:9 to 16:9 Crop
  • Remote Control
    • HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
    • SDI: SDI trigger camera selectable
    • Serial 2.5mm Jack: LANC control and calibration viaoptional USB to serial cable
  • Supported Applications
    • XML: Cut tag EDL and Multicam with transitions in FCP XML
    • Apple ProRes RAW: Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
    • Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
  • Target use / UserOn-set, In-Studio, Directors' Monitor

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