Soundcraft EPM6 6+2 Channel Analog Mixer

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

Soundcraft EPM6 Features

• Frame sizes 6+2, 8+2 and 12+2
• 2 configurable auxiliary buses
• XLR-type and 1/4" metal jack connector sockets
• 3-band EQ with a swept mid on mono inputs
• 2-band EQ on stereo inputs
• RCA phono stereo playback inputs and record outputs
• TRS insert sockets and inserts on all mono inputs and mix output
• Ten-segment LED output metering
• Intuitive and comprehensive solo system
• Headphone output
• Easily rack mountable

• EPM6 6-Channel Mixer1

• Frequency Response (Mic/Line input to any output)20Hz to 20kHz +/-0.5dB
• THD & Noise (-30dBu Input routed to Mix, Mic gain 30dB) <0.007%
• Mic Input EIN (22Hz-22kHz unweighted)-128dBu (150Ω source)
• Bus Noise (Measured RMS, 20Hz to 20kHz Bandwidth Line inputs selected at unity gain and terminated 150Ω)
  • Mix: Mix at Max, Faders down: <-85dBu
• Crosstalk (typically @1kHz)
  • Channel Mute: >96dB
  • Fader cut-off (rel +10 mark): >96dB
  • Aux Send pot offness: >86dB
• Input & Output Impedances
  • Microphone Input: 2.4kΩ
  • Line Input: 11kΩ
  • Stereo Input: 100kΩ
  • Outputs: 75Ω
• Input & Output Levels
  • Mic/Line input Maximum Level: +17dBu
  • Line input Maximum Level: +30dBu
  • Stereo Input Maximum Level: +30dBu
  • Mix Output Maximum level: +20dBu
  • Headphones (at 200Ω): 300mW
• EQ (Mono Input)
  • HF: 12kHz, ±15dB, shelving
  • Mid: 150Hz - 3.5kHz, ±15dB, Q=1.5
  • LF: 60Hz, ±15dB, shelving
• Metering12-segment LED bargraphs for Mix L&R outputs
• Operating conditions
  • Temperature Range: -10ºC to +30ºC
  • Relative Humidity: 0% to 80%
• Power SupplyIntegral lightweight switched-mode PSU
• AC mains supply85V-270V AC, 50/60Hz universal input
• Power consumptionLess than 20W
• Dimensions (W x H x D)11 x 3.56 x 14.25 inches (280 x 90.5 x 362 mm)
• Weight11.02 lbs (5kg)