PreSonus StudioLive 16.0.2 USB Digital Mixer

Instantly hear details and clarity when you connect a StudioLive 16.0.2 USB mixer from PreSonus. This compact, lightweight 16-channel digital mixer offers a suite of tightly integrated recording, control, and audio analysis software. Don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more, while its familiar, easy-to-use interface keeps all critical controls visible and accessible.

PreSonus StudioLive 16.0.2 Features

• 8 mono mic/line channel inputs
• 4 stereo line channel inputs
• 2 Internal FX buses
• 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
• Fat Channel signal processing on all channels and buses
• One 31-band stereo graphic EQ (on main outputs only)
• 18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
• Scene store and recall
• Settings can be copied among channels and buses and saved as user presets.
• Software bundle includes:
• PreSonus® Studio One® Artist digital audio workstation for Mac® and Windows ®
• PreSonus Capture™ live-recording software for Mac and Windows
• PreSonus UC Surface mixer-control software for Mac, Windows, Android™, and iPad®
• Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android™ provides wireless remote control of aux mixes
• Lockout mode protects your settings from meddlers and accidents
• MIDI Control Mode provides control over:
• Scene and FX Preset recall
• Main Volume, FXA, and FXB output levels
• FXA and FXB assign/unassign to Mains

• StudioLive 16.0.2 USB Digital Mixer1

• Microphone Preamp
  • Type: XLR Female, Balanced
  • Frequency Response to Direct Output (at unity gain): 20 Hz-20 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Output (at unity gain): 20 Hz-20 kHz, ±0.5 dBu
  • Input Impedance (Balanced): 1 kΩ
  • THD to Direct Output (1 kHz at unity gain): <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain): 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • EIN to Direct Output: +125 dB unwtd, +130 dB A-wtd
  • S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -102 dB
  • S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -95 dB
  • Common Mode Rejection Ratio (1 kHz at unity gain): +65 dB
  • Gain Control Range (± 1 dB): -16 dB to +67 dB
  • Maximum Input Level (unity gain): +16 dBu
  • Phantom Power (± 2 VDC): +48 VDC
• Line Inputs, Balanced
  • Type: ¼" TRS Female, balanced mono
  • Frequency Response to Direct Outputs (at unity gain): 10 Hz-20 kHz, 0 / -0.5 dBu
  • Frequency Response to Main Outputs (at unity gain): 20 Hz-20 kHz, 0/-0.5 dBu
  • Input Impedance: 10 kΩ
  • THD to Direct Output (1 kHz at unity gain): <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • THD to Main Output (1 kHz at unity gain): <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
  • S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd): -105 dB
  • S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd): -95 dB
  • Gain Control Range (± 1 dB): -20 dB to +20 dB
  • Maximum Input level (unity gain): +22 dBu
• Line Inputs, Unbalanced
  • Type: RCA Female, unbalanced (stereo pair)
  • Maximum Input Level: +22 dBu
• Main Outputs
  • Type: XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
  • Rated Output Level: +24 dBu
  • Output Impedance: 100Ω
• Aux Outputs
  • Type: ¼” TRS Female, balanced (mono)
  • Rated Output Level: +18 dBu
  • Output Impedance: 100Ω
• Monitor Outputs
  • Type: ¼” TRS Female, balanced (stereo pair)
  • Rated Output Level z: +18 dBu
  • Output Impedance: 100Ω
• System Crosstalk
  • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -90 dBu
  • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -87 dBu
• Noise Gate (Expander)
  • Threshold Range: -84 dB to 0 dB
  • Attack Time: Adaptive (0.2 - 2.5 ms)
  • Release Time: 70 ms
  • Expander Attenuation Range: 2:1
• Compressor
  • Threshold Range: -56 dB to 0 dB
  • Ratio: 1:1 to 14:1
  • Response Time (Attack/Release): 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)
  • Auto Attack and Release: Attack = 10 ms, Release = 150 ms
  • Curve Types: hard and soft knee
• EQ
  • Type: 2nd-order shelving filter (Q = 0.55)
  • Low (Low-pass or Bandpass): 36 to 465 Hz, ±15 dB
  • Mid: 260 Hz to 3.5 kHz, ±15 dB
  • High (High-pass or Bandpass): 1.4 kHz to 18 kHz, ±15 dB
• Digital Audio
  • Host Interface: USB 2.0
  • ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • Internal Processing: 32-bit, floating point
  • Sampling Rate: 44.1, 48 kHz
  • A/D/A Bit Depth: 24 bits
  • Reference Level for 0 dBFS: +18 dBu
• Clock
  • Jitter: <20 ps rms (20 Hz - 20 kHz)
  • Jitter Attenuation: >60 dB (1 ns in ≈ 1 ps out)
• Power
  • Connector: IEC
  • Input-Voltage Range: 100 to 240 VAC (factory-configured for country of destination)
  • Power Requirements (continuous): 100W
• Physical
  • Length: 15.56 inches (397 mm)
  • Width: 16 inches (406 mm)
  • Maximum Height: 5.5 inches (140 mm)
  • Weight: 20 lbs

About Digital Mixers at Sound Productions

Digital mixers connect to digital devices, and typically offer a host of personalization features and premium functionalities not available with the more straightforward analog mixer. These features may include onboard sound effects, enhanced signal processing, multi-track recording, customizable settings, and much more! Additionally, digital mixers are compact and portable, and some models even offer wireless connectivity, making them a great option for mobile audio setups where you want to avoid cable clutter.