Expand and upgrade your Vi Series mixing setup with Soundcraft’s Vi5000 digital mixing console. This 128-channel mixer is ideal for live sound situations that need to scale up their gear. It offers the option of 96kHz processing, along with upgraded channel counts and even more reliable hardware.
Combining a compact control surface build with Local Rack and Active Breakout box hardware, this mixing console delivers simultaneous mixing of up to 128 inputs and 32 mono/stereo busses. Its 40-bit floating point digital audio processing and ultra-low noise microphone amps ensure pristine audio quality. Premium effects are made possible via 8 independent Lexicon multi-FX units, BSS DPR901ii™ integration, and a BSS graphic EQ on every bus output. Other features include rapid configuration and powerful automation, radio mic status monitoring, and extensive ViSi Connect I/O expansion (EtherSound™, CobraNet™, Dante™, MADI, and more).
More about Soundcraft’s Vi Digital Mixers
Whether you’re mixing for live broadcasts, installed sound systems, or touring audio, Soundcraft’s Vi1 Series of digital mixers are a more affordable take on a classic mixing console. Vi1 takes renowned Vi features (such as the acclaimed VistonicsTM user interface) and packs them into a smaller and more budget-friendly build.
Soundcraft Vi5000 Features
- The latest Vistonics™ & FaderGlow™ interface
- Up to 128 inputs and 32 mono/stereo busses
- Enhanced audio processing with 96kHz sample rate option
- Powerful new features including BSS DPR901ii™ Dynamic EQ
- STUDER vMIX automatic microphone mixing built-in
- New Local Rack hardware for 384 I/O channels
- 128 channel record interface via MADI or Dante™
- Mix live with UA™ plug-ins (via Realtime Rack)
- Huge connectivity options - Dante™, Rocknet™, Ethersound™, Cobranet™, MADI and more
- Vi5000 128-Channel Live Sound Digital Mixing Console1
- Frequency Response - Stagebox Mic input to Line output +0/-1dB, 20Hz-20kHz
- AES/EBU In to AES/EBU Out +0/-0.2dB, 20Hz-20kHz
- Stagebox Mic In (min gain) to Local Line Out <0.003% @ 1kHz
- Stagebox Mic In (max gain) to Local Line Out <0.020% @ 1kHz
- Local Line In to Line Out <0.003% @ 1kHz
- Mic Input E.I.N <-126dBu (150Ω source)
- Residual Noise -91dBu Stagebox line output; no inputs routed, Mix fader @0dB
- CMRR, Stagebox Mic input 80dB @ 1kHz
- Sampling Frequency 48kHz or 96kHz
- Latency: Stagebox Mic Input to Local Line output <2ms @48kHz
- AES/EBU Input Sample Rate 32–108kHz (with SRC enabled)
- DSP Resolution 40-bit floating point
- Internal Clock Accuracy <+/-50ppm
- Internal Clock Jitter <+/-5ns
- External Sync BNC Wordclock
- Input & Output Levels - Mic Inputs +28dBu max
- Input & Output Levels - Line Inputs +22dBu max
- Input & Output Levels - Line Outputs +22dBu max
- Nominal Operating Level +4dBu (-18dBFS)
- Input & Output Impedances - Mic Inputs 10kΩ
- Input & Output Impedances - All other analogue Inputs >10kΩ
- Input & Output Impedances - Line Outputs <75Ω
- Input & Output Impedances - AES/EBU Outputs 110Ω
- Oscillator 20Hz to 20kHz/Pink/White Noise, variable level
- Stagebox HP Filter 80Hz fixed, 12dB per octave
- Channel HP filter 20Hz-600Hz, 18dB per octave
- Channel LP filter 1kHz-20kHz, 18dB per octave
- EQ (Inputs and Bus Outputs) - HF 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving
- EQ (Inputs and Bus Outputs) - Hi-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7
- EQ (Inputs and Bus Outputs) - Lo-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7
- EQ (Inputs and Bus Outputs) - LF 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving
- Metering Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s.
- Mains Voltage Operating Range 90-264V, 47-63Hz, autoranging
- Mains Power Consumption 300W
- Operating Temperature 0°C – 45°C (32°F – 113°F)
- Relative Humidity 0% – 90%, non-condensing Ta=40°C (104°F)
- Storage Temperature-20°C – 60°C (-4°F – 140°F)
