SHOGUN YOUR STUDIO, MASTER YOUR 4K WORKFLOW
Harnessing the latest 4K/HD recorder, monitor, and playback tech the Shogun Studio enhances existing HD workflows and provides an affordable rack mount solution.
MONITOR HDR WITH YOUR LOG CAMERA
Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. AtomHDR brings post production HDR monitoring to the field, displaying high brightness range Log footage with the brightness and vibrancy as the eye sees it on our SuperAtom IPS 8-bit 400nit calibrated monitor.
This provides a rack mount solution for HDR, letting you use your current HDR Log camera to future proof your production. We are proud to deliver a free update to HDR on the existing range. We can offer this because we are in complete control of every aspect of the product – panel, processing and display.
Atomos Shogun Studio II Rackmount 4K/HDR Features
- HDR dual monitor, 8-channel HDp60, 2-channel 4Kp60 rackmount recorder
- Playback and Edit
- Advanced record modes
- Record multiple formats
- Class leading screen technology
- Shogun Studio 21
- Rack ears with screws2
- Rubber feet with screws4
- IEC power cables2
- HDMI cables2
- Master Caddy II5
- One Year Warranty (May be extended to 3 years on product registration)1
- Dimensions (W x H x D)
- Without Rack Ears: 17.6 x 6 x 11 inches (447 x 152 x 280 mm)
- With Rack Ears: 19.3 x 6 x 11 inches (490 x 152 x 280 mm)
- Weight: 11 lbs (5 kg)
- Rack height: 3U
- Mount points: Removable rack ears and desktop feet
- Dual recorder: Dual Screen, Recorder and switcher
- Environmental
- Ambient operating temperature: Up to 40°C
- Construction and Control
- Body: Aluminium alloy chassis
- Cooling: Actively controlled fans and Heat Sink
- Tally light: On front
- Multi-function button: Trigger dual record
- Power
- Continuous power: Dual PSU
- DC in connector: Dual IEC C14
- Display
- Touchscreen: SuperAtom IPS panel (capacitive touch)
- Size: Dual 7.2”
- Resolution: Dual 1920 x 1200
- PPI: 327 per screen
- Bit depth: 10-Bit (8+2 FRC)
- Backlight Type: Dynamic zoned back light 3", Dynamic Full Array Local Dimming (FALD) 360 Zones
- Brightness (cdm2 / nits): 1500 / 3000 Peak HDR brightness
- Aspect ratio: 16 : 9
- Color Gamut: Rec.709
- Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
- Color Pipeline
- Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
- Gamut: Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
- 3D LUT Display: .Cube Format Display Only
- 3D LUT Down Stream: Loop out
- 3DLUT 50/50: Yes
- Monitoring Modes: Native / HLG / PQ / 3D LUT
- HDR output Conversion: Log / HDR to HLG / PQ / Dolby Vision
- Video Input
- HDMI: 1 x HDMI (2.0) 4k p60
- SDI: Quad link 3G SDI, with 2 x 12G SDI Backwards compatible Auto detection per recorder channel
- SDI RAW: Apples ProRes RAW up to 6k
- RJ45 / Network: Service Only
- Bit Depth: 8/10-Bit Video / RAW up to 16-Bit
- Video Chroma Subsampling: 4:02:02
- HDCP copy protection: No supported
- Metadata
- HDMI: RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
- SDI: File Name from Arri, RED
- Video Output
- HDMI: 1 x HDMI (2.0) 4k p60
- SDI loop out: 1 x 2 x 12G SDI Backwards compatible Auto detection
- SDI Play out: 2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
- Video Chroma Subsampling: 422
- Bit Depth: 10-Bit Video
- Web Streaming
- USB UVC: Optional via Connect 4k
- Video Signal Conversion
- HDMI to SDI: Yes - Video and RAW
- SDI to HDMI: Yes - Video and RAW
- Audio In/Out
- Audio Quality: 24/48kHz
- Audio Codec: PCM
- HDMI: 8ch 24-Bit, input dependent
- SDI: 12ch 24-Bit, input dependent
- Analog Audio in: 2 x XLR Per recorder channel
- Analog Audio Out: 2 x XLR Per recorder channel
- Headphone out: 3.5mm 2ch.
- Timecode / Sync
- Embedded: HDMI and SDI
- Time of day: Yes, Time and Date
- LTC: LTC via BNC in/out Record mode
- Genlock: GenLock in/out Playback mode
- Resolution and Frame Rates (Record, Monitor & Playback)
- 6k: RAW Only up to 30p via SDI Only
- 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
- 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
- 2K DCI 2046 x 1080: 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
- FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
- FHD 1920 x 1080 PsF: Converted to P and looped out PsF
- FHD 1920 x 1080 Interlaced: 23.98/24/25/29.9/30/50/59.94/60i
- 1280 x 720p: 50/59.94/60p
- Recording CODEC
- CDNG: For SDI RAW inputs Only
- Apple ProRes RAW: ProRes RAW, HQ
- Apple ProRes: LT, 422, 422HQ
- Avid DNxHD: DNxHD 220x,220,145,36
- Avid DNxHR: LB, SQ, HQ, HQX.
- Playback
- Playlist: Yes, Create customer play lists from full or sub clips
- Loop: Yes, with user customisable in / out markers
- Apple ProRes Raw: Yes, recorded clips
- Apple ProRes: Yes, with Linear PCM audio
- Avid DNx: Yes, with Linear PCM audio
- Recording functions
- Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
- ISO Record: Up to 8 x up to 1080p 60 (3G SDI Level A ONLY) 4 Per recorder channel
- Switched Program Record: Yes Up to 1080p 60
- Multi Input / Switching
- SDI A/B toggle: Yes, Up support up to 12G SDI per input
- Dual Input display: Via Multi ISO input mode
- Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
- Input transitions: Auto or manual XML transition
- Supported media
- Master Caddy I: Not compatible
- SSDmini: Yes, BUT ONLY with optional Grab handle
- File Naming: Unit Name - Scene/Shot/Take, Arri & RED via SDI
- File System: ExFAT
- On screen tools
- Waveform: Yes, 3 size / Position
- RGB parade: Yes, 3 size / Position
- Vector scope: Yes, 2 size / Position
- 1 x Zoom: Yes. 1:1 Pixel mapping for 4k
- 2 x Zoom: Yes
- Focus peaking: Color selected / threshold setting / colour / mono / edges only
- False color: Yes, with Scale
- Zebra: Yes, Adjustable
- Isolate color channel: Blue Only
- Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
- Social Frame guides: 9:16, 1:1, 191:1, 4:5
- Safe areas: Action and Graphic
- Grid markers: 9 grid
- Anamorphic desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
- Display Flip: Vertical Only
- Onboard Signal Processing
- Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
- 4K UHD Downscale for HD: Loop out - 4K UHD to FHD
- DCI Crop: Loop out - 17:9 to 16:9 Crop
- Remote control
- HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
- SDI: SDI trigger camera selectable
- Serial 2.5mm Jack: LANC control and calibration via optional USB to serial cable
- RJ45 Service Only
- RS422: Yes, Qualified controllers only
- Supported Applications
- XML: Cut tag EDL and Multcam with transitions in FCPX XML
- Apple ProRes RAW: Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
- Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
