Introducing Yamaha's third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.
With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.
Yamaha MG10 Features
- 10-Channel Mixing Console
- Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)
- 1 Stereo Bus
- 1 AUX (incl. FX)
- "D-PRE" mic preamps with an inverted Darlington circuit
- 1-Knob compressors
- PAD switch on mono inputs
- +48V phantom power
- XLR balanced outputs
- Metal chassis
- MG10 10-channel analog mixer1
- Power adaptor (PA-10)1
- Frequency Characteristics (ST OUT) 20 Hz–20 kHz +1 dB, –3 dB @+4 dBu, 10 kΩ (with gain control at minimum level)
- Total Harmonic Distortion (ST OUT) 0.1 % (THD+N) @+14 dBu, 20 Hz–20 kHz, 10 kΩ (with gain control at maximum level) (CHs 1 and 2)
- Hum and Noise (1)
- –128 dBu Equivalent input noise (CHs 1 and 2)
- –100 dBu Residual output noise (ST OUT)
- –87 dBu (91 dB S/N) ST, Master fader at nominal level and all Ch at minimum level.
- –85 dBu (89 dB S/N) All channel AUX controls at minimum level.
- –64 dBu (68 dB S/N) ST, Master fader and one Ch fader at nominal level. (CHs 1 and 2)
- Maximum Voltage Gain (2)
- 60 dB CH MIC INPUT → CH INSERT OUT
- 76 dB CH MIC INPUT → ST OUT
- 64.2 dB CH MIC INPUT → REC OUT
- 70 dB CH MIC INPUT → AUX SEND1 (PRE)
- 76 dB CH MIC INPUT → AUX SEND2 (POST)
- 76 dB ST CH MIC INPUT → ST OUT
- 50 dB ST CH LINE INPUT → ST OUT
- 41 dB ST CH LINE INPUT → AUX SEND1 (PRE)
- 47 dB ST CH LINE INPUT → AUX SEND2 (POST)
- 26 dB ST CH INPUT → ST OUT
- 12 dB AUX RETURN → ST OUT
- 23.8 dB 2TR INPUT → ST OUT
- Monaural/Stereo Input Gain Control 44 dB variable
- Monaural/Stereo High Pass Filter 80 Hz 12 dB/octave
- Crosstalk (1 kHz)
- –70 dB between input channels
- –70 dB between input/output channels (CHs 1 to 6)
- Monaural/Stereo Input Channel Equalization: Max. Variation (3)
- ±15 dB
- HIGH 10 kHz shelving
- MID 2.5 kHz peaking
- LOW 100 Hz shelving
- Monaural/Stereo Input Peak Indicator On each channel: red indicator lights if post-EQ signal (on ST channels, if either post-EQ signal or post-mic-amp signal) comes within 3 dB of the clipping level.
- Level Meters
- Two 12-point LED meters [Stereo (L, R)]
- Peak point: red indicator
- +5, +3, +1, and 0 points: yellow indicators
- –1, –3, –5, –7, –10, –15, –20: green indicators
- Phantom +48 VDC Power (Balanced input) Supplied when Phantom +48 V switch is ON.
- Power Supply
- USA and Canada: 120 V AC, 60 Hz
- Europe: 230 V AC, 50 Hz
- Australia: 240 V AC, 50 Hz
- Korea: 220 V AC, 60 Hz
- Power Consumption 19 W
- Max. Dimensions (W × H × D) 251 × 65 × 290.5 mm
- Weight 1.8 kg
- Notes
- Where 0 dBu = 0.775 V and 0 dBV = 1 V
- 1 Measured with 12.7 kHz, –6 dB/oct. low pass filter (equivalent to 20 kHz, –∞ filter). (CH MIC INPUT to ST, AUX, EFFECT SEND)
- 2 Turning PAN/BAL to left or right
- 3 Shelving turnover/rolloff frequency: 3 dB before maximum cut or boost
