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Atomos Shogun 7 HDR Pro/Cinema Monitor-Recorder-Switcher, 7"
[DISCONTINUED] Atomos Shogun 7 HDR Pro/Cinema Monitor/Recorder/Switcher

[DISCONTINUED] Atomos Shogun 7 HDR Pro/Cinema Monitor/Recorder/Switcher

SoundPro Item: 102178
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  • Atomos Shogun 7 HDR Pro/Cinema Monitor-Recorder-Switcher, 7"
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Mind-blowing HDR monitoring

Apple ProRes and ProRes RAW recording and playback

Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.

Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**.

Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before.

Live mix & record up to 5 streams

Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multicamera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs and then cue and switch in real-time with a simple touch of the screen. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.

Fine tune every detail, while you shoot

A high-quality viewing experience gives you complete confidence to make educated on-set decisions.

With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. See what the camera sensor is capturing with unparalleled precision and use the advanced HDR waveform tools from log or RAW to ensure perfect exposure, colour and white balance. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.

Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.

Atomos Shogun 7 Features

  • Intuitive touch screen operation
  • Instant playback & review
  • Shot tagging
  • Balanced audio
  • High speed connections
  • Quad SDI & HDMI 2.0 In/Out
  • Shogun 71
  • Master Caddy II1
  • International power supply1
  • Carry case1
  • Quick start guide1
  • Dimensions (W x H x D)214 x 127 x 45 mm
  • Weight25 oz (709 g)
  • Mount points1 x Anti rotation 1/4" / 3/8 top and bottom
  • Environmental
    • Ambient operating temperature: Up to 40° C
  • Construction and Control
    • Body: Polycarbonate ABS Plastic
    • Cooling: Actively controlled fan and Heat Sink
    • Tally light: Rear and front
    • Multi-function button: Power / lock Screen
  • Power
    • Input voltage: 6.2V to 16.8V
    • Operating power: 10 - 33W
    • Compatible batteries: NPF L series
    • Built in battery: No
    • Battery Run time (Record): 5200mAh - up to 1.5hrs (monitor & record 4K 30p) / 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
    • Continuous power: Dual battery slots
    • DC in connector: DC jack 2.1mm
    • Dtap: Via optional DTap to DC cable
  • Display
    • Touchscreen: SuperAtom IPS panel (capacitive touch)
    • Size: 7.2"
    • Resolution: 1920 x 1200
    • PPI: 327
    • Bit depth: 10-bit (8+2 FRC)
    • Backlight Type: Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones
    • Brightness (cdm2 / nits): 1500 / 3000 Peak HDR brightness
    • Aspect ratio: 1 :9
    • Color Gamut: DCI-P3 (D65)
    • Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
  • Color Pipeline
    • Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
    • Gamut: BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    • 3D LUT Display: .Cube Format
    • 3D LUT Down Stream: Loop out
    • 3DLUT 50/50: Yes
    • Monitoring Modes: Native / HLG / PQ / 3D LUT
    • HDR output Conversion: No
  • Video Input
    • HDMI: 1 x HDMI (2.0) 4k p60
    • SDI: Quad link 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
    • SDI RAW: Apple ProRes RAW up to 6k
    • Bit Depth: 8/10Bit Video / RAW up to 16Bit
    • Video Chroma Subsampling: 4:2:2
    • Metadata
      • HDMI: RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
      • SDI: File Name from Arri, RED
      • Video Output
        • HDMI: 1 x HDMI (2.0) 4k p60
        • SDI loop out: 1 x 2 x 12G SDI Backwards compatible Auto detection
        • SDI Play out: 2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
        • Video Chroma Subsampling: 422
        • Bit Depth: 10Bit Video
      • Web Streaming
        • USB UVC: Optional via Connect 4k
      • Video Signal Conversion
        • HDMI to SDI: Yes - Video and RAW
        • SDI to HDMI: Yes - Video and RAW
  • Audio In/Out
    • Audio Quality: 24/48kHz
    • Audio Codec: PCM
    • HDMI: 8ch 24Bit, input dependent
    • SDI: 12ch 24Bit, input dependent
    • Analog Audio In: XLR via Optional Break out cable
    • Analog Audio Out: XLR via Optional Break out cable
    • Headphone out: 3.5mm 2ch.
  • Timecode / Sync
    • Embedded: HDMI and SDI
    • Time of day: Yes, Time and Date
    • LTC: LTC via BNC input in Record mode
    • Genlock: GenLock in Playback mode
  • Resolution and Frame Rates (Record, Monitor & Playback)
    • 6k: RAW Only up to 30p via SDI Only
    • 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
    • 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
    • 2K DCI 2046 x 1080: 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
    • FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
    • FHD 1920 x 1080 PsF: Converted to P and looped out PsF
    • FHD 1920 x 1080 Interlaced: 23.98/24/25/29.9/30/50/59.94/60i
    • 1280 x 720p: 50/59.94/60p
  • Recording CODEC
    • CDNG: For SDI RAW inputs Only
    • Apple ProRes RAW: ProRes RAW, HQ
    • Apple ProRes: LT, 422, 422HQ
    • Avid DNxHD: DNxHD 220x,220,145,36
    • Avid DNxHR: LB, SQ, HQ, HQX.
  • Playback
    • Playlist: Yes, Create customer play lists from full or sub clips
    • Loop: Yes, with user customisable in / out markers
    • Apple ProRes Raw: Yes, recorded clips
    • Apple ProRes: Yes, with Linear PCM audio
    • Avid DNx: Yes, with Linear PCM audio
  • Recording functions
    • Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
    • ISO Record: Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
    • Switched Program Record: Yes Up to 1080p 60
  • Multi Input / Switching
    • SDI A/B toggle: Yes, Up support up to 12G SDI per input
    • Dual Input display: Via Multi ISO input mode
    • Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
    • Input transitions: Auto or manual XML transition
  • Supported media
    • Master Caddy I Not compatible
    • SSDmini: Yes with optional SSDmini handle
    • CFast II: Supported cards via optional AtomX CFast Adapter
    • File Naming: Unit Name - Scene/Shot/Take, Arri & RED via SDI
    • File System: ExFAT
  • On screen tools
    • Waveform: Yes, 3 size / Position
    • RGB parade: Yes, 3 size / Position
    • Vector scope: Yes, 2 size / Position
    • 1 x Zoom: Yes. 1:1 Pixel mapping for 4k
    • 2 x Zoom: Yes
    • Focus peaking: Color selected / threshold setting / colour/ Mono / edges only
    • False color: Yes, with Scale
    • Zebra: Yes, Adjustable
    • Isolate color channel: Blue Only
    • Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
    • Social Frame guides: 9:16, 1:1, 191:1, 4:5
    • Safe areas: Action and Graphic
    • Grid markers: 9 grid
    • Anamorphic desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
    • Display Flip: Vertical Only
    • Onboard Signal Processing
      • Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
      • 4K UHD Downscale for HD: Loop out - 4K UHD to FHD
      • DCI Crop: Loop out - 17:9 to 16:9 Crop
    • Remote control
      • HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
      • SDI: SDI trigger camera selectable
      • Serial 2.5mm Jack: LANC control and calibration viaoptional USB to serial cable
      • Supported Applications
        • XML: Cut tag EDL and Multicam with transitions in FCP XML
        • Apple ProRes RAW: Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
        • Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper

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